
Colour is the difference between footage and cinema. Hire a colorist who grades award-winning films and give your project a look people remember.
Good grading isn't about adding a filter. It's about matching every shot so the film feels seamless, guiding the eye to what matters, and building a mood that supports the story you're telling.
Our founder grades every Cinegma film himself in DaVinci Resolve, from the tense, grimy world of Janjaal to the quieter tones of Portrait of Life. We work with footage from cinema cameras, mirrorless cameras, drones and phones.
Send us your locked cut and camera files from anywhere. We'll grade, share review links and refine until it looks the way you imagined.
It depends on running time, number of shots and how much look development the film needs. Send a few details and a sample of your footage, and we'll quote within 48 hours.
Yes. Remote grading is a big part of our work. You upload files, we grade and send back secure review links.
Your locked edit and the original camera files, or a project export from your editor. We'll send a simple checklist so nothing is missing.
Yes. We'll get the most out of whatever you shot on, and tell you honestly what's possible.
Yes. See film editing and sound design.
Tell us about your project and get a clear quote and timeline within 48 hours.