
Audiences forgive a soft shot. They never forgive bad sound. Hire the team that mixed an award-winning short in 5.1 surround, and make your film sound as good as it looks.
Footsteps, cloth, a door in the next room, the hum of a city at night. Most of it never gets recorded properly on set, and that's why films feel thin without proper sound design and foley.
We clean up your dialogue, recreate the small sounds the camera missed, build the world around your characters and mix it all for the screen it's going to play on. Janjaal was mixed in-house in 5.1 surround for its cinema release, and we bring that same standard to every project.
Send your locked cut and production audio from anywhere in Pakistan or overseas, and we'll take it from there.
It depends on running time, how much foley is needed and whether you want stereo or 5.1. Send us the cut and we'll quote within 48 hours.
Often, yes. Modern cleanup tools can rescue a lot. Where a line can't be saved, we'll help you plan ADR.
Yes. Documentaries often need ambience and subtle foley to feel complete, especially when footage was shot without good sound.
It's a mix without dialogue, used for dubbing and international sales. Many festivals and distributors ask for one. We can deliver it with your final mix.
Yes. See film editing and colour grading.
Tell us about your project and get a clear quote and timeline within 48 hours.